Tag Archives: Danganronpa

Suggested 3rd-Party Ports for the Nintendo Switch

With the myriad of ports hitting the Switch I wanted to write a short list of pre-released 3rd party video games that I think would do well on Nintendo’s newest platform.  I tried not going for big-name, highly profitable games as those I felt would be too obvious (with one exception). I also picked games that would port well to the Switch without facing a noticeable downgrade in quality. Now true, there have been a few recent games, like Doom, that ported reasonable well to the Switch but from what I understand the developers had to make a lot of cuts to make it work. I’m definitely no video game programmer so I’m avoiding games like Resident Evil 7 or God of War as those seem like a big challenge. Nonetheless, there are tons of other games that the Switch would love to have. Without further ado, let’s take a look!

Fez

It’s been six years since Fez was released but the charm of that game still stands strong for me. Surprisingly, Fez hasn’t been ported yet to any Nintendo console so the Switch may be a great way to get some attention again. Customers’ strong indies support will easily boost Fez’s sales. The only issue is that Fez’s programmer, Phil Fish, left the video game world for several years now so seeing him (or in general Polytron, the developer behind Fez) come back just to make the game compatible with the Switch seems unlikely.

Danganronpa Trilogy

Spike Chunsoft has a history developing games for Nintendo. Not even counting Pokémon Mystery Dungeon games, we also have the underground hit series “Zero Escape” who’s dark, and honestly mindfuck, story isn’t a far cry from Danganronpa. So the connection is clearly there we just need the idea to take hold! The original Danganronpa games were on the Playstation Vita games so I imagine it wouldn’t be difficult to move them over to the Switch as well. Packaging the whole trilogy would make the games more enticing for newcomers as well. And frankly giving a discount on the first two games would make me want to spend money on it again just so I can have some fun on the big screen.

Fallout

Okay, so I know I was trying to avoid big-name games but I couldn’t help but mention Fallout. Recently, Bethesda commented how pleased they were on the sales for their Switch games. This mainly includes their game-of-the-year quality games, Skyrim and Doom. If they could do a decent port of Doom, why not Fallout 3, New Vegas or even 4? I don’t know if I’ll buy Fallout NV again but I’d definitely put some money down for Fallout 4. The Switch flawlessly handled Breath of the Wild and Skyrim’s open world-system so I imagine it could manage Fallout’s world. Plus, the thought of seeing Pipboy on the Switch and Switch skins seems so hilarious to me.

Persona 5

P5’s infatuation towards subways would transition well for playing it on an actual subway. I can imagine this to be a great on-the-move game as P5 is broken up by story events, battles, and side quests. True, you would (more than) likely get lost in the palaces if you stopped midway and picked it back up eight hours later but if that’s the port’s only fault, I’ll take it! What’s more, P5 was initially developed for the PS3 before transitioning over to the PS4. I bought the PS3 version and it runs pretty great! The load times are supposedly longer compared to the PS4 but I never felt they dragged on or were infuriating. Plus, Atlus already has a healthy relationship with Nintendo and even developed a Persona game, Persona Q, and its soon to be released sequel Q2, on the 3DS. Out of all the games on this list, P5 is the one most likely to happen.

Katamari Damacy

Why the hell does Nintendo not have any Katamari games? I’m still surprised by this just thinking about it. Katamari’s weird, offbeat humor would mesh well with Nintendo’s imagry. Namco could also go above and beyond their port by implementing motion controls. Perhaps you can give yourself a workout by moving your hands back and forth like our prince character. Or you could move just one Joycon forward, backward, and side-to-side to control the general direction of your katamari. Either way, I would be down to trying and playing it with motion controls. Katamari could also have a bonus level in the Mario Kingdom or Hyrule which would be hilarious! The thought of rolling up Gorons, Goombas, Koopas, and Octorocks would be a blast.

Journey

This is a curveball but I believe a Journey-port would be a fantastic hit on the Switch. Not only has it been years since its first and second release on the PS3 and PS4 respectively but it’s a game that has held up extraordinarily well. The distant mountain you strive towards evokes a similar feeling when Link steps out of the Shrine of Resurrection and looks out to the huge, expansive world of Hyrule. And meeting a fresh new group of journeyers like you along the way would be so spine-tingling heartwarming and bittersweet. Journey is all about…well the journey. And to experience that once again on the Switch would be touching.

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This could work: an Anime Adaptation of 999

Here’s a fun fact for you, did you know that the creators of Danganronpa and Zero Escape are friends? I’m not honestly surprised and in fact, I find that enduring, given the creators perchance for making dark video games with diabolic and white, cuddly characters. Although I have not yet played Danganronpa (mainly through lack of specific hardware) I have seen the anime and it’s quite good in all honesty. After seeing the anime, I really want to play the game even though I know the ending to it.

Video game adaptations to the small screen can be hit or miss but can be done right and even extremely well. In particular, the visual novel genre seems to hit a particular easy-adaptation and well-produced stride among other video games. It’s not surprising given how there is already a well-thought out story immersed with fleshed-out characters and plot twists galore. A simple elimination of the minimal player interaction combined with a full anime budget and you got yourself a decent miniseries on hand. Ace Attorney has finally gotten its own anime adaptation and I’m hoping that Professor Layton will follow suit soon. As such, why hasn’t Nine Hours, Nine Persons, and Nine Doors (or “999”) gotten its own anime adaptation yet? I honestly think it will adapt quite well.

I think 999’s biggest problem is the branching storyline that is absolutely essential to the game. 999’s alternate histories and complex plot could easily confuse new viewers who may lose focus even for a moment. What’s more, 999’s, and its sequel, loves thought experiments and hypothetical situations, which take time to explain and may further confuse a person who would question why these are here in the first place.

Before I offer suggestions how this could be resolved, let’s look at another visual novel-adapted anime that also has branching storylines, Umineko: When They Cry.

Umineko focuses on an extended family that visits their island after the head of the household dies. The greedy family wants to know who inherited what in the will of their now deceased father/grandfather. What follows are a series of supernatural events where many deaths occur and many alternate histories are explored.

What made Umineko easy to follow was how the main character was aware of these alternate storylines. Through him, he can remind us how things happened and how he was going to change them. What’s more, the anime made watching easy for the viewer and sped up certain already-seen events while establishing who was alive and when. In the end of the first season, we are left with a cliff hanger but we are not confused thanks to the excellent plot development.

The anime adaptation of 999 should follow a similar tract. Some events, mainly those at the beginning of the game, are ones that we will witness over and over again. A simple reminder of what happened and when will help orient the viewers of where they are in the timeline and what puzzle rooms have been solved. What’s more, Junpei’s ability to jump timelines should be more heavily explored near the beginning of the anime so the viewer is not confused why events are happening differently this time. The thought experiments, which are very dialogue heavy, is probably the trickiest part of 999 to adapt as the original flavor of the game would be lost if these aren’t included. I honestly think these can be done though given the right circumstances. If other, thought-provoking anime shows, like Death Note, are not afraid to be complex and not talk-down to the audience, then 999 shouldn’t be afraid either.

If you wanted to be poetic, the anime could be produced into nine episodes. I’m not honestly sure if that would be feasible or not but given the circumstances, it’s possible.

With the final Zero Escape game coming out this summer, I would welcome the possibility of a complete anime adaptation of this series but I stress that an anime adaptation of Virtue’s Last Reward would likely be insane. 999 had only five separate endings whereas Virtue’s Last Reward had over 20! True, you probably wouldn’t have to explore every single damn ending (quite a few of them aren’t necessary), but the amount of timeline jumping in that game is craaaaazy. The game had a helpful timeline chart you could look at but I bet the anime wouldn’t have it as easy as that.

I think the best course of action is just to stick to 999 as that game is more concise compared to its sequel. Video games are a form of art and sometimes, just like from books to movies, you can’t do the original media justice when you transform the source into something else. And maybe an anime adaptation of 999 will fall to pieces because of which. You just can’t adapt the player interaction into an anime. But hey, it could work.

The Childhood Sweetheart Trope as Interpreted by 999 and Danganronpa

One of the most predictable and used tropes for anime, and in general other media, is the Childhood Sweetheart Trope (CST). A pre-ten year old boy and girl meet each other for the first time, acquire puppy love, and then are tragically separated due to extraneous circumstances before they meet up again as young adults. They fall in love again through a series of mishaps or adventures and then get married. There can be some fidgeting with this but for the most part this is basically the sub or main plot for a lot of romantic/semi-romantic anime ranging from the humorous Love Hina to the very gruesome Elfen Lied.

I am critical of this trope though for several reasons besides its foreseeable conclusions. One is that the characters, especially the female ones, are quite dull or one sided and have no overall personal goals or conflicting feelings that paint them as actual people. Two is that we as the audience already expect them to get together and thus when we see the boy or the girl dating someone else we know it will end badly. Three is that the trope has a very predestined feel behind it, especially if the boy and girl make a marriage promise, as the girl and boy are fated towards this end result no matter what they do. Finally, the girl characters are treated like rewards or trophies for the boy, especially if we primarily follow the boy’s POV, and not as actual humans.

Now I know this is not always the case (e.g., Elfen Lied) but CST is certainly prevalent in the story telling community. As such, I want to discuss two stories, the DS game 999 and the visual novel game/anime Danganronpa, and their unique interpretation of this dry trope. These two stories have an interesting approach to this tired theme and I wanted to gush why I think these two nailed it (and of course, spoilers).

Lower row, directly in the middle is Makoto and to his right is the blue-haired Sayaka. Image from http://www.egmnow.com/articles/reviews/egm-review-danganronpa-trigger-happy-havoc/#

Let’s start with Danganronpa, our main character, Makoto Naegi, likes Sayaka Maizono, a pop idol girl, whom he became acquainted with in middle school. The two hadn’t seen each other until the events depicted in Danganronpa and they hit it off well as they’re the only people they’re familiar with in the whole cast of characters. There is an implied mutual attraction and support between the pair.

Though they didn’t know each other before middle school, this is still the CST at heart as they were separated at a young age before being reacquainted several years later. When the terrible events of Danganronpa unfold, the story seems to set up the notion that their relationship will only get stronger before they become an actual couple.

However, this does not happen as a fellow student murders Sayaka and as such, we see the first twist Danganronpa offers for the CST. Makoto and Sayaka’s relationship will not blossom but Sayaka now becomes a martyr for Makoto, a beacon to for Makoto to triumph in the end.

Although Sayaka’s death may be inspirational, she is still a rather flat character. That was the case until an episode after her death revealed her hidden intentions. Sayaka, in all her innocent goodiness, was planning on murdering a fellow student and then frame Makoto for it. Of course, the murder doesn’t go as plan and she got murdered instead. This shocks both Makoto and us the viewer. We are set up at the beginning that Sayaka would be an innocent, loving girl and yet her actions had proved otherwise. Why did she do it? Well, we’re shown in the previous episode that her band members were severely hurt/already dead and probably would not be saved unless she murdered someone and successfully got away with it.

This…is awesome.

Her reasons for murdering actually seem sensible (besides, you know, the whole murder thing). Her band members are in grave danger and she has known them for years, they’re probably like family to her! Seeing them in peril prompted her to act the way she did so she could try and save them. She tricked Makoto into switching rooms with her, lured a student to the said room for the promise of teaching him music, and then attempted to murder that student and blame it on Makoto. Since she barely knows Makoto, she didn’t have any strong emotional attachment to him and thus didn’t have a problem in framing him for murder. I actually want to see an alternate universe where she did murder the student and and how Makoto would react to that.

Though I kind of thought she would be the first one to get murdered, I definitely did not see her ulterior motives coming and was nicely surprised by it. These first few episodes definitely set the tone for the rest of the series. Well played, Danganronpa.

Guy in the middle frame with the blue vest is Junpei and to his right is Akane.  Image from http://zeroescape.wikia.com/

Nine Hours, Nine Persons, Nine Doors just takes this trope though and blows it out of the water. Now, this game has so many ideas, themes, and morals behind it that I try to find any excuse to talk even just one of them. In this case, I want to talk 999’s interpretation of the CST as it’s just amazing.

Our main character is Junpei, a 21-year-old college student who is found on a rigged-to-blow cruise liner and must play the “Nonary Game” in order to escape from it. He meets eight other characters after escaping from his cabin room, one of which is Akane Kurashiki (alias “June”), whom he knew when they were kids. IMMEDIATELY, when Junpei explained who she was I was like “Ah, crap, here we go, another Childhood Sweetheart story.” I was not looking forward to Akane and I actively avoided her early on in the game. She seemed like such a flat character, another one of those innocent, sweethearts or whatever.

Well, as you may know, there are multiple endings to the game. After the first time through (I died of course), I went a different route but this time I actively engaged with Akane more often.

Holy crap, she’s funny, and a bit crazy too. Her sexually suggestive quips embarrassed Junpei (lol) and her crazy metaphysical concepts made him question her sanity. I was happily surprised how untypical she was while I was playing the game.

In fact, the more I played the game the more I realized that there was something really special about Akane but I couldn’t figure out why.

And then, wham, I came across the true ending to the game and my mind was blown. It was revealed that all along she was the one behind the “Nonary Game” and it was all an elaborate setup to not only get back at the people who hurt her ten years ago but also to save her from her own death.

Okay, where to begin.

When Akane was a kid, she was trapped in a room that was going to burn her alive. Her only way out was to solve a puzzle that she didn’t know how to answer. Her only way out was to telepathically communicate Junpei and have him solve the puzzle instead. How? Well, this is the part where things get crazy. One of the themes of the game is that the past is set but the future has multiple paths laid out. Akane tapped into that idea by communicating to Junpei ten years in the future and have him solve the puzzle instead. Her future self created an environment that was exactly similar to her past’s environment. This allowed Past Akane to look into the different future paths and try to steer Junpei to the puzzle that she could not solve. This is why the game has multiple endings (which blew my mind, this game did that a lot for me), Akane is trying to find that perfect ending. Once Junpei figured out the puzzle in the exact same environment, he telepathically communicated the answer back to past Akane and then she was able to figure it out.

This is actually why present Akane would inexplicably collapse when she and Junpei were exploring their environments. If the player chooses a wrong path (i.e., the path that takes them to the life-or-death puzzle) then present Akane would become sick because Junpei is not exposed to the puzzle, which means he can’t solve it, which means he can’t communicate the answer back to past Akane, which means she will die in the burning room, which means present Akane will die as well. Wrap your head around that one.

There are internet articles out there that like to deconstruct this concept into pieces and explain why this is so amazing so I won’t go into that. But what I do want to say is that all of this…the telepathy, the puzzles, the multiple endings, and the character herself just utterly destroy the CST. Whether done intentionally or not, 999 builds up CST and then just tears it down piece by piece and I really liked that. It’s not often that a storyteller has effortlessly guided my initial opinion of a character into making me think one way of them and then pull the rug from me and reveal what truly lies there. So good.

Image from Amazon.com

Okay, so what do these two stories have in common?  Why do I like them both?

Both of them set up the boy and girl’s relationship very casually, almost as if they were simply cookie-cutting the trope into their twisted plots but still keeping true to CST.  In Danganronpa, Makoto and Sayaka would get out of the murder game alive and become a couple; in 999, Junpei and Akane defeat Zero through the power of a emerging love.  However, this does not happen.  We are given a scenario where both Sayaka and Akane have ulterior motives and are trying desperately to win no matter what the costs.  We see what makes them tick and why they acted the way they did.

I guess what I’m trying to say is that these two females felt like actual people to me.  They feared, they planned, they made hard decisions, and they are not defined by simply trying to find that special someone or being in love.  That may be a part of them yes but it’s not the full picture.  I really liked that but it’s unfortunate that these characters stood out to me because they directly oppose a rather flat trope.  Regardless, because of their actions, they are what help make 999 and Danganronpa great as they took this trope and punched it right in the face.  Now that is awesome.

Unapologetic Nerd will be on hiatus next week in preparation for an extensive Star Wars article for Star Wars Day.  It will focus on one of my favorite novels in the series.  Don’t forget to check it out!